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Not paper is a result of parting and repressing the paper without felt. This is also called cold pressed paper. The paper is made by hanging the sheets to loft dry in spurs or by pressing the posts under a mechanical press or by calendaring the sheet with light pressure through felt covered metal rollers. The paper looks dull, unglazed and slightly grained with pits and valleys making them good for watercolors. The texture of the paper is between the rough paper and the hot pressed paper. The sheets are dimensionally stable when wet and are usually less absorbent than rough papers. Special felt gives a handsome grain
finish to the cold pressed paper that easily lends itself to the techniques
of deep embossing. This surface is suitable for most type of paintings.
This is the most commonly used watercolor paper and has enough texture
to hold paint well, allowing for fine brushwork. They will accentuate
the paint texture or grain of watercolor and airbrush technique. This
paper is sure to bring style to any invitation and make one's art work
truly unique. |
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Rough paper is naturally "loft" dried by hanging in the air. It is also called coarse or antique paper. The rough surface is created naturally by allowing the paper to shrink during drying or by minimal pressing after sheet formation. It gives a scratchy, unsatisfying appearance to the sheet. The rough paper is more pliant and is uniquely useful in binding. It is exciting to paint and to see a finished painting on a rough paper that is aesthetically alive. On the rough paper colors settle into the hollows making it ideal for expressionist, abstract and a painterly look. It is superb for adding affects to landscape and seascape paintings. Rough sheets are usually the most absorbent, and therefore produce the smoothest washes even with granulating pigments Its primary disadvantage is that it is not dimensionally stable and it may expand more than other papers during pasting or other dampening and humidification treatments. It does not accept a fused dry ink, it will rub or flake off. Using textured paper can lead to missing images. |
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Uncoated paper is a paper which is homogeneous throughout, with no extra substance applied to its surface during making. It is a paper with a higher absorbency rate than coated papers and easier to use with most inks, markers, watercolors, and colored pencils. It has higher roughness with more peaks and troughs on the surface. Uncoated paper requires no ovens for printing. It is available in many different finishes, colors, and weights. The following are among the most common uncoated finish: • Smooth Finish- Plain, untextured paper is made smooth from the paper passing through the sets of rollers during paper making. • Linen- It is an embossed finish that gives a refined and conservative look. • Laid- It has a surface pattern of distinct parallel lines. • Vellum- This is a crisp, translucent paper with a subtle, rough surface available in both solid colors and embossed designs. • Wove- It is a popular paper that is bulky with only a slightly rough surface. It is ideal for laser printer projects. Good, well-planned separations are crucial for successful printing on uncoated paper. Because inks soak into the paper, precise halftone dots spread and deform - a feature called dot gain. By opening the separation, the actual dot size is decreased and the space surrounding the dot is increased. Opening the separation allows the press operator to print to normal ink densities. This results in true color fidelity, image brightness and detail. Printing on uncoated paper can be as straightforward as printing on coated papers if the separations are properly prepared. The adjustments will allow the press to carry more ink, thus increasing color saturation, clarity and contrast. Uncoated paper normally needs more drying time. Uncoated papers are used for halftones when the designer is trying to achieve a certain effect or look. On a corporate level, uncoated papers are being used to project a kinder and gentler corporate image. This paper is also used for brouchers and manuals. The natural surface of uncoated papers is an ideal background for four-color process printing. |
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